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CIRCUS: AVID and Patching

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14 years ago
by Tom Glover in ,

AVID

Avid, Avid, Avid, where do I begin, It’s hard to say I liked it, because I didn’t, and the truth be told I don’t think I will be finding much time to edit using it. It’s handy to know the basics and it’s little quirks with the Rave MAM System. This little bits of knowledge will help me troubleshoot problems with the software if required, at a later date.

Patching

Patching was an interesting, yet small session, aim at teaching me on how to route signals around the ravensbourne building. There’s not much more than that i can say about it.

CIRCUS: Location Camera

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14 years ago
by Tom Glover in ,

Another day, Another Operational skill, this time we were learning about Location Camera’s which is also know as Electronic News Gathering (ENG), which is also know as Personal Single Camera (PSC). This type of shooting is completely different to studio work, and requires a different mindset, for example with PSC you have to remember to add 30-seconds of Bars & Tone to the beginning of every tape you shoot with. Another thing before every shoot, is its best to check the back focus and time code is set-up correctly.

Without Time Code, editing the shot footage, is near impossible, especially when you are trying to sync up two different shots of the same pice of action up. For theses sorts of cuts to be smooth, the Time Code also needs to be synced between all the cameras that are recording.

Working with Rolly today has been interesting and light hearted session, we used a simple interview set-up to practice recoding to a Location Camera, for this simple shoot we teamed up with the location Sound Group.

CIRCUS: Studio Gallery

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14 years ago
by Tom Glover in ,

Today, we moved onto the next part of our Production Skills Circus, this time we looked at the workings of the Studio / Production Gallery. This included looking at what the role of the Director, PA, VM operator and Other Production Roles do, during a live or as-live multi-cam shoot.

Looking at these roles and listening into to talkback of some recently recorded shows, gave me a look at how teams work together and how much is actually scripted, including all camera shots, tracks, how long the presenter talks and more. Listening to the talkback also gave a clear indication to myself and the group, how much teamwork is actually involved in creating the final show the viewer watches.

CIRCUS: Lighting

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14 years ago
by Tom Glover in ,

Today we started the BOP (Broadcast Operations) Circus, which is designed to teach us the basic in many operational roles. Today, my group started on Lighting with Graham Jaggers, an industry professional Lighting Director.

With lighting already being my specialist subject, after transferring from a theatre environment, I found I was only looking out for the differences between live theatre and live broadcast. The main difference i found was the huge requirement for Backlight, this isn’t such a requirement in theatre world.

Other little tips and tricks I have picked up from today, include:

  • 3 Point Lighting / The importance of shadows
  • How to use a Pantograph
  • The idea of bouncing a hard light of something white to create a large soft light

LECTURE: TV Systems & Signals

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14 years ago
by Tom Glover in ,

Optical Fibre Links

Today we looked at optical fibre links and how they now power the internet age that is now upon us. The amazing power of fibre is slowly being understood with new theoretical limits being constantly found, the current tested theoretical limit could handle the worlds current internet and phone traffic, and more in a single fibre.

Fibre’s are the back bone the UK broadcast industry, as they link all the Studio Centers with the 1000+ Transmission sites in the UK. The Fibre links are mission critical for all Analogue and Freeview transmission, as they provide the 17 Main and 1000 “Fill” UHF Transmitters, with the signal to broadcast.

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